CINEMILAGROSO
EL FULGOR | 2021 | 65´ | DOCUMENTARY | ARGENTINA
SYNOPSIS
These are the days before the carnival and while the gauchos prepare to carry out the ritual of cleaning the meat, the animals sense the arrival of the end. Completed the task, the countrymen cross the river that separates them from the city, attracted by the glare of the lights, they embark towards the great celebration. Masks cover faces and horses become Styrofoam totems in this fantasy world.
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CREDITS
WRITER & DIRECTOR | Martin Farina
PRODUCER | Martin Farina & Marco Berger
ASSOCIATED PRODUCERS | Mercedes Arias & Tomás Fernández Juan
CAST | Vilmar Paiva & Franco Heiler
EDITING & CINEMATOGRAPHY | Martin Farina
EDITING CONSULTANT | Lucía Torres Minoldo (EDA)
CAMERA | Martin Farina, Tomás Fernández Juan, Franco Heiler, Mercedes Arias
SOUND DESIGN | Martin Farina & Gabriel Santamaría
MUSIC | Jorge Barilari & Martin Farina
ARTWORK | Eva DeTonmaso
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FESTIVALS
70° Mannheim-Heidelberg International Film Fest - 2021
20° RIFF - Rome Independent Film Festival - 2021
16° Tel Aviv International LGBT Film Festival - 2021
[23] BAFICI - 2022
1° DOC - Bahía Blanca IFF - 2022
6° General Pico National FF - 2022
10° Bariloche IFF - 2022
9° Asterisco - 2022
4° FICER - 2022
43° La Habana International Film Festival - 2022
6° Civilcoy Film Fest - Raíces - 2023
6° Santiago del Estero Film Festival - 2023
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AWARDS
Best International Documentary Film - 20° RIFF
Incentive Award for Argentine Cinema - [23] BAFICI
ASA Award, Best sound in Argentine feature film among all the Competitions - [23] BAFICI
Spetial Mention of the Jury - 9° Asterisco
Cont.ar Acquisition Award - Best Film - 9° Asterisco
Spetial Mention of the Jury - 6° Civilcoy Film Fest - Raíces - 2023
Best Documentary Film - Premios Cóndor de Plata - 2023
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PRESS | Links
PERLENTAUCHER | Nicolai Bühnemann
CINERAMA PLUS | Victoria Leven
CINEARGENTINOHOY | F. Mendes Moas
ESPACIO CINE | Fernando G. Verea
CON LOS OJOS ABIERTOS - Roger Koza
PÁGINA 12 | Juan Pablo Cinelli
EL CURSO DE CINE | Guillermo Colantonio
HACERSE LA CRITICA | Luis Franc